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Task 4. Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer

Task 4. Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the questions 23 – 30.

            At 7 pm on a dark, cold November evening, thousands of people are making their way across a vast car park. They're not here to see a film, or the ballet, or even the circus. They are all here for  what is, bizarrely, a global phenomenon: they are  here  to see  Holiday on Ice. Given that most  people don't seem to be acquainted with anyone who's ever been, the show's statistics are extraordinary: nearly 300 million people have seen Holiday on Ice since it began in 1943; it is the most popular live entertainment in the  world. But what does the production involve? And why are so  many people prepared to  spend  their lives travelling round Europe in caravans in order to appear in it? It can’t be glamorous, and it's undoubtedly hard work. The backstage atmosphere is an odd mix of gym class and workplace. A curtained-off section at the back of the arena is laughably referred to as the girls' dressing room, but   is more accurately described as a corridor, with beige, cracked walls and cheap temporary tables set up along the length of it. Each girl has a small area littered with pots of orange make-up, tubes of mascara and long false eyelashes.

            As a place to work, it must rank pretty low down the scale: the area round the ice-rink is grey   and mucky with rows of dirty blue and brown plastic seating and red carpet tiles.  It's  an  unimpressive picture, but the show itself is an unquestionably vast, polished global enterprise: the lights come from a firm in Texas, the people who make the audio system are in California, but Montreal supplies the smoke effects; former British Olympic skater Robin Cousins is now creative director for the company and conducts a vast master class to make sure they’re ready for the show's next performance.

            The next day, as the music blares out from the sound system, the case start to go through their routines under Cousins' direction. Cousins says, ‘The aim is to make sure they're all still getting to exactly the right place on the ice at the right time - largely because the banks of lights in the ceiling are set to those places, and if the skaters are all half a metre out they’ll be illuminating empty ice.   Our challenge,’ he continues, ‘is to produce something they can sell in a number of countries at the same time. My theory is that you take those things that people want to see and you give it to them,   but not in the way they expect to see it. You try to twist it. And you have to find music that is challenging to the skaters, because they have to do it every  night.’

            ‘The only place you'll see certain skating moves is an ice show,’ he says, ‘because you’re not allowed to do them in competition. It’s not in the rules. So the ice show world has things to offer which the competitive world just doesn't. Cousins knows what he's talking about because he skated  for the show himself when he stopped competing - he was financially unable to retire. He learnt the hard way that you can’t put on an Olympic performance every night. I'd be thinking, these people  have paid their money, now do your stuff, and I suddenly thought, "I really can't cope. I'm not enjoying it”.' The solution, he realized, was to give 75 per cent every night, rather than striving for  the sort of twice-a-year excellence which won him  medals.

            To be honest, for those of us whose only experience of ice-skating is  watching  top-class  Olympic skaters, some of the movements can look a bit amateurish, but then, who are we to judge? Equally, it’s impossible not to be swept up in the whole thing; well, you'd have to try pretty hard not to enjoy it.

Trả lời cho các câu 1, 2, 3, 4, 5, 6, 7, 8 dưới đây:

Câu hỏi số 1:
Thông hiểu

What surprises the writer about the popularity of Holiday on  Ice?

Đáp án đúng là: A

Câu hỏi:358296
Giải chi tiết

Đáp án cần chọn là: A

Câu hỏi số 2:
Thông hiểu

The word blares out in paragraph 3 is closest in  meaning to                      .

Đáp án đúng là: C

Câu hỏi:358297
Giải chi tiết

Đáp án cần chọn là: C

Câu hỏi số 3:
Thông hiểu

What does the writer highlight about the show in the third  paragraph?

Đáp án đúng là: B

Câu hỏi:358298
Giải chi tiết

Đáp án cần chọn là: B

Câu hỏi số 4:
Nhận biết

The word “them” in paragraph 4 refers to                          .

Đáp án đúng là: B

Câu hỏi:358299
Giải chi tiết

Đáp án cần chọn là: B

Câu hỏi số 5:
Thông hiểu

For Robin Cousins, the key point when rehearsing skating routines  is                     .

Đáp án đúng là: D

Câu hỏi:358300
Giải chi tiết

Đáp án cần chọn là: D

Câu hỏi số 6:
Thông hiểu

Cousins believes that he can meet the challenge of producing shows for different audiences                       .

Đáp án đúng là: D

Câu hỏi:358301
Giải chi tiết

Đáp án cần chọn là: D

Câu hỏi số 7:
Vận dụng

What does Cousins suggest in paragraph 5 about skating in  shows?

Đáp án đúng là: D

Câu hỏi:358302
Giải chi tiết

Đáp án cần chọn là: D

Câu hỏi số 8:
Thông hiểu

What conclusion does the writer draw about Holiday on  Ice?

Đáp án đúng là: D

Câu hỏi:358303
Giải chi tiết

Đáp án cần chọn là: D

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