Đánh giá năng lực Hà Nội
Đánh giá năng lực Hà Nội
Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions.
In most of the earliest books for children, illustrations were an afterthought. But in the Caldecott “toy books”, which first appeared in 1878, they were almost as important as the lines of text, and occupied far more space in the book. One can almost read the story from the dramatic action in the pictures.
Since then, thousands of successful picture books have been published in the United States and around the world. In the best, the words and illustrations seem to complement each other perfectly. Often a single person is responsible for both writing and illustrating the book. One of the greatest, and certainly one of the most successful, illustrator-authors was Dr. Seuss, whose real name was Theodor Geisel. His first children’s book, And to Think That I Saw It on Mulberry Street, hit the market in 1937, and the world of children’s literature was changed forever. Seuss’s playful drawings were a perfect complement to his engaging stories and unforgettable characters. In 1957, Seuss’s The Cat in the Hat became the first book in Random House’s best -selling series, Beginner Books, written by Seuss and several other authors. These combine outrageous illustrations of people, creatures, and plants, and playful stories written in very simple language.
Dr. Seuss is not the only well-known author-illustrator, of course. There is Max Sendak, who wrote and illustrated Where the Wild Things Are, the story of a little boy named Max, who becomes king of the fierce ( but funny) creatures that live in the Land of the Wilds Things. Robert McCloskey produced both the richly textured illustrations and delightful story of a family of ducks living in downtown Boston, Make Ways for Ducklings. Some books are produced by a collaborative author-artist team. Author Margaret Wise Brown combined with illustrator Clement Hurd to produce two delightful books loved by very young children, Goodnight Moon and The Runaway Bunny. Another example is the husband-and-wife team of writer Audrey Wood and illustrator Don Wood, who were responsible for King Bidgood’s in the Bathtub and The Napping House.
Wordless and nearly wordless picture books have become popular. With a little help, three and four-year-olds can follow the sequence of events, and they can understand the stories suggested in them. The marvel of books with few or no words is that they allow children and their parents the opportunity to tell and retell the same stories over and over in their own words. One of the most charming examples of a wordless book is Jan Omerod’sSunshine. Barbara Berger’s Grandfather Twilight and David Weisner’s Tuesday are examples of books containing only a few words.
U.S. publishers have also drawn on illustrators from other countries whose original, imaginative works have brought their different visions to American children’s books. Among them are Leo Lionni from Italy, Feodor Rojankovsky from Russia, and Taro Yashimi from Japan.
Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions.
In most of the earliest books for children, illustrations were an afterthought. But in the Caldecott “toy books”, which first appeared in 1878, they were almost as important as the lines of text, and occupied far more space in the book. One can almost read the story from the dramatic action in the pictures.
Since then, thousands of successful picture books have been published in the United States and around the world. In the best, the words and illustrations seem to complement each other perfectly. Often a single person is responsible for both writing and illustrating the book. One of the greatest, and certainly one of the most successful, illustrator-authors was Dr. Seuss, whose real name was Theodor Geisel. His first children’s book, And to Think That I Saw It on Mulberry Street, hit the market in 1937, and the world of children’s literature was changed forever. Seuss’s playful drawings were a perfect complement to his engaging stories and unforgettable characters. In 1957, Seuss’s The Cat in the Hat became the first book in Random House’s best -selling series, Beginner Books, written by Seuss and several other authors. These combine outrageous illustrations of people, creatures, and plants, and playful stories written in very simple language.
Dr. Seuss is not the only well-known author-illustrator, of course. There is Max Sendak, who wrote and illustrated Where the Wild Things Are, the story of a little boy named Max, who becomes king of the fierce ( but funny) creatures that live in the Land of the Wilds Things. Robert McCloskey produced both the richly textured illustrations and delightful story of a family of ducks living in downtown Boston, Make Ways for Ducklings. Some books are produced by a collaborative author-artist team. Author Margaret Wise Brown combined with illustrator Clement Hurd to produce two delightful books loved by very young children, Goodnight Moon and The Runaway Bunny. Another example is the husband-and-wife team of writer Audrey Wood and illustrator Don Wood, who were responsible for King Bidgood’s in the Bathtub and The Napping House.
Wordless and nearly wordless picture books have become popular. With a little help, three and four-year-olds can follow the sequence of events, and they can understand the stories suggested in them. The marvel of books with few or no words is that they allow children and their parents the opportunity to tell and retell the same stories over and over in their own words. One of the most charming examples of a wordless book is Jan Omerod’sSunshine. Barbara Berger’s Grandfather Twilight and David Weisner’s Tuesday are examples of books containing only a few words.
U.S. publishers have also drawn on illustrators from other countries whose original, imaginative works have brought their different visions to American children’s books. Among them are Leo Lionni from Italy, Feodor Rojankovsky from Russia, and Taro Yashimi from Japan.
Quảng cáo
Câu 1: When did illustrations become important in books for children?
A. In late 19th century
B. In 1937
C. Only recently
D. In 1957
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Đáp án : A(0) bình luận (0) lời giải
Giải chi tiết:
A
Câu 2 đoạn 1: “But in the Caldecott “toy books”, which first appeared in 1878, they were almost as important as the lines of text” => 1878 có thể được hiểu là “In late 19th century”
Lời giải sai Bình thường Khá hay Rất Hay
Câu 2: The word “they” in the first paragraph refers to _ _.
A. the earliest books for children
B. illustrations
C. the Caldecott “toy books”
D. lines of text
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Đáp án : B(0) bình luận (0) lời giải
Giải chi tiết:
B
Cầu đầu đoạn 1: “… illustrations were an afterthought.” => Hình minh họa chỉ là suy nghĩ sau (không được ưu tiên)
Câu 2 đoạn 1: “But in the Caldecott “toy books”, which first appeared in 1878, they were almost as important as the lines of text” =>… chúng đã quan trọng như những dòng văn bản; “they” = “illustrations”
Lời giải sai Bình thường Khá hay Rất Hay
Câu 3: The phrase “the best” in paragraph 2 refers to the best .
A. picture books
B. illustrations
C. authors
D. words
-
Đáp án : A(0) bình luận (0) lời giải
Giải chi tiết:
A
Câu 1 đoạn 2: “Since then, thousands of successful picture books have been published… In the best, the words and illustrations seem to complement each other perfectly” => Kể từ đó, hàng ngàn sách tranh đã được xuất bản…Trong những cuốn tốt nhất (sách tranh), chữ và hình minh họa có vẻ như bổ sung cho nhau một cách hoàn hảo.
Lời giải sai Bình thường Khá hay Rất Hay
Câu 4: According to the passage, pictures help make children’s books _ .
A. sell better
B. unforgettable
C. more successful
D. more original
-
Đáp án : C(0) bình luận (0) lời giải
Giải chi tiết:
C
Câu 1 đoạn 2: “Since then, thousands of successful picture books have been published… In the best, the words and illustrations seem to complement each other perfectly”
Lời giải sai Bình thường Khá hay Rất Hay
Câu 5: According to the passage, when was the world of children’s literature changed?
A. Before Seuss’s first children’s book hit the market.
B. Before Seuss’s made playful drawings.
C. After Seuss’s first children’s book hit the market.
D. After Seuss’s book became Random House’s best-seller.
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Đáp án : C(0) bình luận (0) lời giải
Giải chi tiết:
C
Đoạn 2: “His first children’s book, And to Think That I Saw It on Mulberry Street, hit the market in 1937, and the world of children’s literature was changed forever.”
Lời giải sai Bình thường Khá hay Rất Hay
Câu 6: “Sunshine” is given in the passage as an example of a book that _.
A. is very charming
B. is only for children
C. contains only pictures
D. contains only a few words
-
Đáp án : C(0) bình luận (0) lời giải
Giải chi tiết:
C
Đoạn 4: “One of the most charming examples of a wordless book is Jan Omerod’s Sunshine”
Lời giải sai Bình thường Khá hay Rất Hay
Câu 7: The phrase “Another example” in the passage refers to an example of .
A. a husband-and-wife team
B. a delightful book
C. an author-artist team
D. a book like King Bidgood’s in the Bathtub.
-
Đáp án : C(0) bình luận (0) lời giải
Giải chi tiết:
C
Đoạn 3, trước cấu “Another example…”: “Some books are produced by a collaborative author-artist team” => Ví dụ về một đội tác giả - họa sĩ
Lời giải sai Bình thường Khá hay Rất Hay
Câu 8: The word “original” in the last paragraph is closest in meaning to _.
A. in the first place
B. of the first source
C. imaginary and beautiful
D. new and creative
-
Đáp án : D(0) bình luận (0) lời giải
Giải chi tiết:
D
Original = new and creative = độc đáo
Lời giải sai Bình thường Khá hay Rất Hay
Câu 9: Leo Lionni, Feodor Rojankovsky, and Taro Yashimi are mentioned in the passage to show that .
A. there are talented authors in different countries
B. U.S. publishers attract good artists from other countries.
C. illustrators from other countries want to work for U.S. publishers.
D. illustrators from other countries have different visions to U.S. publishers.
-
Đáp án : B(0) bình luận (0) lời giải
Giải chi tiết:
B
Đoạn cuối: “U.S. publishers have also drawn on illustrators from other countries whose original, imaginative works have brought their different visions to American children’s books. Among them are Leo Lionni from Italy, Feodor Rojankovsky from Russia, and Taro Yashimi from Japan.” => Nhà xuất bản ở Mỹ lôi kéo những nghệ sĩ từ các nước khác
Lời giải sai Bình thường Khá hay Rất Hay
Câu 10: What is the main idea of the reading passage?
A. Dr. Seuss was one of the most successful illustrator-authors.
B. Husband-and-wife teams can become successful in producing books.
C. Only wordless and nearly wordless picture books have become popular.
D. Pictures are very important in books for children.
-
Đáp án : D(0) bình luận (0) lời giải
Giải chi tiết:
D
Ý chính của bài văn tập trung vào khẳng định tranh minh họa là rất quan trọng trong sách dành cho trẻ em
Lời giải sai Bình thường Khá hay Rất Hay
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